Background

In 2009, supported by the Andrew W. Mellon Foundation (AWMF), NEFA conducted a study which identified unrealized potential for theater projects that expand the boundaries of theater in the U.S. Multi-disciplinary presenters, theaters, and audiences nationwide demonstrated an appetite for artist-led, ensemble, and devised theater work.

Beginning in 2010, with support from AWMF, NEFA’s 2-year National Theater Pilot tested questions and assumptions about theater development and touring in the U.S. toward the shaping of a fully-realized program of grants and services. Through the Pilot, NEFA and a core group of Advisors identified 12 projects (six selected in each of two years) to help evaluate the National Dance Project model as one means of realizing that potential.

Central goals for the Pilot were to support developing productions to tour and to support presenters, ensembles, and producing theaters to take the work to different regions and audiences. Further research and evaluation of the Pilot at various stages assessed how to best support this developing field.

In 2012, again with the support of AWMF, NEFA launched the National Theater Project to build on the knowledge gained through the Pilot phase and provide a critical means of support of artist-led, ensemble, and devised theater work.

Program Goals

Modeled on NEFA’s National Dance Project, NTP not only provides funding but also animates an informed, interactive network of producing theaters, presenters, and ensembles that promote the funded projects and the development of the field as a whole. Projects are supported through Creation & Touring Grants, which fund creation and preparation for touring of devised projects and Presentation Grants, which are awarded to presenters by the artist and support up to 50% of the artistic fee for NTP projects.

NTP supports work that reflects the evolving environment for theater, including but not limited to projects that:

  • Support the creation/development and U.S.* touring of new artist-led devised, ensemble theater works that demonstrate excellence in the artists’ practice. NTP uses the following definitions in consideration of grant applications:
    • Ensemble: A group of two or more people committed to working together over time to develop a distinct practice and body of work.
    • Devised: A process of co-creation and joint discovery that prioritizes generative artists, which may include but does not prioritize playwrights, is iterative, and results in original work.
  • Support work that contributes to the cultural and aesthetic diversities of today’s theater. NEFA values an equitable, diverse, and inclusive world, which we interpret as all people having fair access to the tools and resources they need to realize creative and community endeavors. We acknowledge structural inequities that have excluded individuals and communities from opportunity based on race, gender, disability, sexual orientation, class, age, language, culture, nation of origin, and geography, and strive to counter those inequities in our work.
  • Reflect meaningful partnerships with presenters, producers, and other organizations that are involved in the development, promotion, and/or touring of the new work.
  • Offer the potential to deepen engagement because of the work’s relevance, originality, and/or timeliness.
  • Produce a viable plan for touring the supported work in multiple communities in the U.S. and its territories*.

*NEFA defines U.S. as all 50 of the United States, as well as Puerto Rico, Guam, Northern Mariana Islands, the U.S. Virgin Islands, and American Samoa.

Advisors

The National Theater Project advisors provide critical guidance to applicants in proposal preparation and tour development. They also guide project selection and serve as consultants and ambassadors for the program. Advisors represent presenters, producing theaters, festivals, and theater artists. Selection of advisors takes into account geography, gender, areas of expertise, cultural and racial equity, and includes new and established leaders in the field. Learn more about how to become a program advisor.

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Pia Agrawal

Curator of Performing Arts
The Momentary
Bentonville, AR
She/Her/Hers
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Claudia Alick

Artistic Producer
Calling Up Justice
USA
She/Her, They/Them
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Candace L. Feldman

Managing Director
Kinetic Light
Kansas City
Queen, Her Majesty, H.R.H.
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Brooke Horejsi

Executive Director/Assistant Dean for Art & Creative Engagement
UtahPresents/University of Utah
Salt Lake City, UT
She/Her/Hers
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Micah Ariel James

Assistant Director of University Arts Engagement
Logan Center for the Arts at the University of Chicago
Chicago, IL
She/Her/Hers
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Todd London

Writer, Editor, Artist Gatherer, and Playwright Advocate, Co-Head MFA Playwriting
The New School
New York, NY
He/Him/His
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Jonathan McCrory

Artistic Director
National Black Theatre
Harlem, NY
He/Him/His, Spirit She
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Edgar Miramontes

Deputy Executive Director & Curator
REDCAT (Roy and Enda Disney/CalArts Theater)
Los Angeles, CA
He/Him/His
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Linda Parris-Bailey

President and CEO
Parris-Bailey Arts, Inc.
Emeritus Executive/Artistic Director
the Carpetbag Theatre
Knoxville, TN
She/Her/Hers
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Ronee Penoi

Associate Producer
Octopus Theatricals
Washington, DD
She/Her/Hers
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Steven Raider-Ginsburg

Director
Autorino Center for the Arts and Humanities, University of Saint Joseph
West Hartford, CT
He/Him/His
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Leslie Tamaribuchi

Cultural Organizer, Strategist
Los Angeles, CA
She/Her/Hers
Funders

The National Theater Project is made possible with lead funding from the Andrew W. Mellon Foundation and additional support from the Doris Duke Charitable Foundation.

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