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A woman opens a folded navy fabric in front of a green back drop.

photo by Lens of Athena Photography

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Grant Recipient

GLASS HALF FULL THEATRE

photo by Lens of Athena Photography

Location
AUSTIN,
Project Title
LOS FRUTOS DE LA MUERTE, or the Breakdown Play
Fiscal Year Awarded
2025

A fungal play that takes a closer look at the mess of cleaning up after the worst has happened. We are building an uplifting story based on the people who perform the same labor as fungi, whose work and lives are also overlooked and marginalized. We’re interested in how hard it is to clean and heal from something that feels unbearable –like the death of a loved one–. Our sources include stories of fungal healers, curanderas, sabias, janitorial staff, and domestic workers. Our theatrical approaches include Lecoq story building practices, movement, puppetry, bilingualism, humor, precise design language, and a desire to develop theatrical processes that align with the needs of our communities. Frutos continues our ensemble’s long standing devising process and community relationships that honor the experiences and bodies of those in the rehearsal room, while creating layered stories that refract the stories of latine/multilingual audiences to enact a more just present and future.

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Sara Nash is a white woman with shoulder length red hair. She is outside, on a porch, and in a green paisley blouse.

Sara Nash Named as First Chief Impact Officer of the New England Foundation for the Arts

May 28, 2026
Quita wears a wrap, a long necklace, and beaded earrings over a black turtleneck. Nakum is a light-skinned woman.

Quita Sullivan Receives Women of Color in the Arts (WOCA) Sabbatical Award

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