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Brown men in white shirts stand in front of a chalk board in stage lighting.

Dreamatorium’s 2023 workshop at National Theatre with company members Alim Jadavji and Nadeem Islam | photography by David Monteith-Hodge

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Grant Recipient

Dreamatorium Theatre US

Dreamatorium’s 2023 workshop at National Theatre with company members Alim Jadavji and Nadeem Islam | photography by David Monteith-Hodge

Location
New York, NY
Project Title
CLERC'S INFERNO
Fiscal Year Awarded
2025

CLERC'S INFERNO When it becomes clear that he must decide between his “immoral” marriage to a Deaf woman and the fate of the revolutionary Deaf school he spent his life creating, Laurent Clerc takes a hellish trip down memory lane, populated by shadows he thought he’d left behind. Sometimes... finding your bliss can be hell. Based on a true story. The audience experiences the ferocious, often humorous arc of the play via American Sign Language, Langue des Signes Française, rich pictorial visual vernacular, spoken English, and French by a Deaf and hearing cast and a supporting chorus of shadow puppets. Though virtually unknown to the hearing population, Laurent Clerc is beloved in Deaf communities around the world and often referred to as, “Apostle of the Deaf”. CLERC’S INFERNO, a play in two-acts, explores universal themes of alienation, identity, and self, and looks at the ways in which the sign language native to Deaf communities has been under attack by mainstream society.

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Leadership Grant to Amplify NEFA's Social Impact

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Sara Nash is a white woman with shoulder length red hair. She is outside, on a porch, and in a green paisley blouse.

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Quita wears a wrap, a long necklace, and beaded earrings over a black turtleneck. Nakum is a light-skinned woman.

Quita Sullivan Receives Women of Color in the Arts (WOCA) Sabbatical Award

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