New England Foundation for the Arts

Visible Republic/Grantees

2001
Is Freedom Visible?
Artists: Harriet Casdin-Silver, L’Merchie Frazier, Kevin Brown
This multi-media public art project juxtaposed the experiences of 19th century African-American children and children of the 21st century. Life-sized holograms of Boston youth were installed in the State House, in conjunction with enlarged archival photographs collected by the Museum of Afro-American History. Specialized audio domes allowed spectators to hear accounts of personal experiences and views as articulated by Boston youth. The exhibition continues at the Museum of Afro-American History through February 28, 2003, in conjuction with African-American History Month.

One Hundred Heads
Artist: Alan Colby
In September 2002 during Boston’s South End Open Studios at the Boston Center for the Arts, the artist carved limestone sculptural heads of volunteer passers-by, who were willing to sit for an hour or two. The artist will continue carving head sculptures, serving as an artist-in-residence at the Dorchester House Multi-Service Center, through Spring 2003. The artist will sculpt images of patients, healthcare workers, and community members and will culminate in a final exhibition and permanent siting of the works.

Temporal Memorial
Artist: Sandra Vieira
This project honored Boston homeless who have died within the past year with a procession and installation of sculptural lanterns created in collaboration with homeless individuals. The work intended to foster a new public remembrance rite that can be traditionalized and transform public space.


2000
Symphony of a City
- *see the Featured Project in the right hand column
Artists: John Ewing and Liz Canner
Live video projections generated from four wearcams illuminated a column of Boston City Hall that originated from a selection of 16 Bostonians from different neighborhoods. Participants wore a video camera on their heads recording a ‘day-in-their-life’ that touched on themes of housing and homelessness as well as community organizing and activism.

New Modern Cultural Center
Artistic Coordinator: Jerry Beck
The project created a high visibility, multi-media public artwork that will incorporate temporary installations, performances and film screenings on the exterior façade of this abandoned and historic theater. The project intended to create a physical and cultural redevelopment link between Boston's Downtown and Chinatown communities.

Square²
Artist: Gary Duehr
Square² saturated Davis Square in Somerville with hundreds of photographic images of passers-by, workers and residents, displayed on everything from bookmarks in a used bookstore, to park benches, to silkscreens on tree leaves, to banners stretched across buildings. The abstracted photos acted as a mirror as people saw themselves integral to the fabric of the community.

1999
Crossing Paths

Artists: Denise Marika & Corey Tatarczuk
The artists projected photo images onto large concrete buttresses adjacent to a bike path with content generated from collaborative workshops with youth from Bikes Not Bombs. The involvement with youth created images that were viewed by a broad audience including bicyclists and motorists.

Minotaur’s Maze
Artist: Kelly Kaczynski
This project was a temporary installation in the central atrium space of the Boston Public Library integrating form, texture, and meaning, that created a tactile experience of choices and discovery based on the story of the Minotaur from Greek legend. Symbolically representing our own lives, the path of the maze represented the choices we make and the directions we are given.

Interstices
Artist: Ean White
Digitally processed video and audio materials acquired from the Big Dig construction sites culminated in a 12 minute video entitled Interstices that illustrated the ground breaking work of urban renewal and recontextualized the division between public art and public works.






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